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- From Will Smith to Sohei Nishino
From Will Smith to Sohei Nishino
In the scrapbook this week: collages, creepy VR, and music on a map
Hey guys,
Some new things:
Happy Thanksgiving!
Spend it the A24 way? As commenter Foturkey says, "Why does every A24 trailer make you feel like there’s a demonic presence under the surface?"Will Smith, I'm impressed. For years, I've always pointed back to this article by Bill Simmons. Aside from Ryan Reynolds actually being a star now, I think the piece mostly still holds true, even about Smith. In King Richard, Smith is still playing a "safe" part. It's very predictably an awards contender and audience pleaser. But what's different this time is that the character of Richard Williams is at least a little less typical and a little more interesting - quirky, dogmatic, brilliant, and flawed.
You wouldn't guess from the trailer, but the film is surprisingly refreshing for a biopic - not because it breaks ground, but because it actually feels real and is executed with nuance rather than typical "drama" maneuvers. Well-observed. And the family interactions are spot on.Here's a star going out on a limb. Jake does breakdown well. In ways, this may actually be the stronger performance. Doubtful it'll get the same attention.
This use of VR is creepy and begging for a Black Mirror episode.
I've dabbled in map projects. Wish I came up with this one. (desktop doesn't require the app) Music from all around the world, across the decades.
fuubutsushi - the feeling of longing for a new season at the first signs of its emergence
And other nuanced Japanese wordsFurther on the Japanese tangent: Sohei Nishino.
Epic collages. Check out his adventurous process.On the differences between Dune's VFX and other sci fi / fantasy films.
Dune is a great sensorial experience. The sound work is amazing. That said, Villeneuve's style has become such a one-note experience now, I'm starting to feel his films don't have much more to offer than mood and typical drama maneuvers.
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Chris